The world of Tim Burton

THE WORLD OF TIM BURTON’ DEBUTS IN MALAYSIA AS THE ONLY SOUTHEAST ASIAN COUNTRY TO HOST THE WORLD-RENOWNED POP-UP MUSEUM AND THE LAST TIME TO CATCH IN ASIA THIS MARCH TO JULY 2023 

KUALA LUMPUR, 20 MARCH 2023 - Creating long-lasting memories with loved ones and fueling art and film enthusiasts from all walks of life, Malaysians can look forward to the much anticipated world-class pop-up museum - ‘The World of Tim Burton.’ Organized and presented by Toybox Projects Sdn. Bhd. - a multi-entertainment and cross-media multinational company, the event acts as an initiative to bring greater awareness to the Malaysian tourism sector through entertainment and draw in more and more local and international visitors in 2023. 

The World of Tim Burton has paved waves across prominent countries around the world since its debut in 2009, including China, South Korea, Japan, Hong Kong, Germany, Mexico, Belgium, Prague, and more. This year, Malaysia has been officially added to the line-up to experience this world-class event. Toybox Projects has dedicated their utmost hard work and efforts to the investment, negotiation, planning, and execution of such a world-class event in hopes for Malaysians to experience one of the world's most demanded forms of entertainment. As a result, Malaysia will be the first and only Southeast Asian country to play host to The World of Tim Burton and last Asia stop in the pop-up museum world tour. 

YB Khairul Firdaus Akbar Khan, Deputy Minister of Tourism, Arts & Culture (MOTAC) shared, “We are honored to be the only Southeast Asian country to play host to this world-class pop-up museum - this speaks volumes about Malaysia’s excellent creative sector and I am positive that this will definitely inspire and invigorate current and aspiring filmmakers, artists and creatives to showcase what our Malaysia Truly Asia has to offer.”

Visitors will have a once-in-a-lifetime opportunity to take a deep dive into Tim Burton’s personal archive which represents the artist’s creative output from childhood to the present day, with over 500 drawings, paintings, photographs, sketchbooks, moving-image works, and sculptural installations focusing on the recurrent visual themes and motifs that resonate in the distinctive characters and worlds found in Burton’s art and films. 

Additionally, the pop-up museum will include 10 thematic sections composed of paintings, drawings, photographs, videos, and media arts as well as a teaser into current Tim Burton projects provided to the visitors through the exact replica of Tim Burton’s personal work studio:

SECTION 1: INFLUENCES

Tim Burton’s versatility and range, as well as the influence of his predecessors, are demonstrated in this section where the earliest works of the exhibition are found. Drawings from Burton’s childhood and early career pay homage to classic cartoonists and illustrators such as Edward Gorey, Charles Addams, Don Martin, and Theodore Geisel (Dr. Seuss). Burton’s class notes and sketches from his studies at the California Institute of the Arts (CalArts) offer insight into his formal training. The substantial influences of Japanese kaiju (monster) movies, Expressionist Cinema, Universal Studios’ horror catalog, stop-motion animation master Ray Harryhausen, and suspense maestro Vincent Price are also revealed in these works.

SECTION 2: HOLIDAYS

This prominent theme originates from Tim Burton’s upbringing in Burbank, California, a homogenous suburban neighborhood that came alive only during the holiday seasons. Representing a creative respite from dull monotony, this early influence is seen throughout his work—in the form of sincere appreciation as well as a satirical wink. Examples include his 1997 book of illustrated poems The Melancholy Death of Oyster Boy and Other Stories (1997) and the stop-motion animated musical Tim Burton’s The Nightmare Before Christmas (1993) in which Halloween and Christmas are ghoulishly and gleefully linked.

SECTION 3: CARNIVALESQUE

The theme of the “carnivalesque”—the mixture between comedy and the grotesque—is seen in Tim Burton’s films from Beetlejuice (1988) and Batman (1989) to Alice in Wonderland (2010) and Dark Shadows (2012) as well as in his personal drawings and paintings. These selections exemplify Burton’s treatment of the balance between the seemingly opposing genres of horror and humor. The imagery of twisting tongues, eyeballs wandering out of their sockets, and poisonous clowns—often accompanied by deadpan wordplay humor—alludes to this dichotomous theme.

SECTION 4: FIGURATIVE WORKS

These drawings, paintings, and sculptures, unrelated to Tim Burton’s professional projects, are some of his most personal artworks. Burton depicts physical reality not as it appears, but how it is personally felt through a distortion of perspective and the human figure. Included in this section are Burton’s studies for Blue Girl with Wine and The Green Man, positioned alongside the final paintings which highlight Burton’s signature aesthetic.

SECTION 5: MISUNDERSTOOD OUTCAST

The most recognizable theme of Tim Burton’s art and films is the archetypical—and perhaps autobiographical—“misunderstood outcast.” These sympathetic monsters are found in projects from the stop-motion animated short film Vincent (1982) to the Hollywood blockbuster Alice in Wonderland (2010). Included in this section are drawings and the concept maquette for Balloon Boy, a 22-foot site-specific installation that the Museum of Modern Art commissioned for its entrance lobby during the inaugural presentation of the Tim Burton exhibition tour. This original creation bears a melancholy countenance and embodies the characteristics of the artist’s beloved outsiders.

SECTION 6: FILM CHARACTERS

For visitors who are well-acquainted with Tim Burton’s movies—from his first feature, Pee-wee’s Big Adventure (1985), to his latest, Dumbo (2019)—This section offers a deeper look into familiar characters and worlds. Paintings, videos, script notes, storyboards, puppets, and maquettes show how film characters progressed from ideas in Burton’s mind to the cinema screen.

SECTION 7: POLAROIDS

Using a rare 20 x 24 large-format instant camera, Tim Burton produced several series of oversized Polaroid prints between 1992 and 1999. These personal photographs express visual themes and motifs that appear in his professional films. 

SECTION 8: AROUND THE WORLD

The spontaneity of Tim Burton’s creative process is highlighted by the works in this section. Drawings made in sketchbooks and on hotel notepads and restaurant napkins are impulses of his restless imagination. The worldwide travels that are necessary to the itinerant life of a film director—shooting locations, film festivals, publicity tours—provide inspiration and subject matter. The resulting dream-like imagery of hyper-reality reflects Burton’s perceptions of the people and places encountered.

SECTION 9: UNREALIZED PROJECTS 

These works from Tim Burton’s film, television, and book projects that were halted in various stages of development reveal the extent of his artistic output. Some of these projects never progressed beyond the beginnings of the ideation stage while other projects in this section were fully realized but did not incorporate any of Burton’s concepts in the final product. The drawings in this section provide a rare glimpse into previously unknown projects that affirm the continuity of the artist’s themes and motifs and also served as inspiration for the exhibition design of Burton’s art exhibition.

SECTION 10: THE ARTIST’S STUDIO

Tim Burton is a solitary artist, constantly drawing, painting, and planning, working away in his studio. For the first time, a part of Tim Burton’s studio is replicated in the exhibition as a way for visitors to experience how the artist’s passion and artistic spirit come to life. The sketches and drawings on cork boards feature works relating to current projects, including those he created for his Seoul exhibition’s entrance sculptures and his new TV series project, Wednesday. 

Ms. Yuri Aizawa, President & Chief Executive Officer of Toybox Projects Sdn. Bhd and Organizer and Presenter of The World of Tim Burton said, “We have been known as a Japanese entertainment specialist. But this year marks our 10th anniversary and with one of our goals being to contribute to expanding the entertainment market in Malaysia as well as connecting with Japan and now to the world, we know "The World of Tim Burton" is the perfect one to bring in not only because of Tim Burton's popularity, creativity and the iconic style, which will surely bring in more tourists to Malaysia but also by bringing in this one of the kind and the first class pop-up museum, we hope to influence the Malaysian creative industry to expand its market.”

Furthermore, fans of Tim Burton will be able have a once-in-a-lifetime opportunity to learn about the art of films through an exclusive virtual masterclass titled “Tim Burton’s Masterclass” hosted by Tim Burton himself on 14 April 2023 where he will tell his story on the art of films, his unique creative processes, and the road to becoming a prominent household name in the entertainment and film industry.

This once-in-a-lifetime experience to immerse one’s self in the artworks of one of cinema’s most valued filmmakers will be available to the public starting tomorrow 21 March 2023 to 30 July 2023 and can be purchased at https://kol-nation.com/the-world-of-tim-burton-malaysia/ priced at only RM88 for adults, RM68 for children and senior citizens, and RM48 for the OKU. In addition to this, visitors can also opt for a season pass (multiple entries to the exhibit) priced at RM498 or the VIP Bundle inclusive of a season pass, a master pass to the virtual Tim Burton’s Masterclass, The Art of Tim Burton book, and special signed merchandise for only RM1,500.

The World of Tim Burton was organized and presented by Toybox Projects Sdn. Bhd. in collaboration with Tim Burton Productions and partnered with Eurasian Entertainment Consultants Ltd (EEC) and KOL Nation together with Onecare Wellness™ as the main sponsor and event partners: 

Venue Partner - Pavilion Bukit Jalil

Official Hotel - Pavilion Hotel Kuala Lumpur, Banyan Tree Kuala Lumpur

Official Radio - 8FM, FlyFM

Official Outdoor Media - 3thirds Inc

Official PR Agency - Global Creative Media Agency (GCMA)

For more information on The World of Tim Burton, kindly visit: https://www.toyboxprojects.com/timburton

###

About Toybox Projects Sdn. Bhd

Named under the concept to produce plans & projects with entertaining, creative, and unique ideas, Toybox Projects is based in Kuala Lumpur, Malaysia, led by Malaysian-born Japanese with various projects bridging Japan & Malaysia, and Asia, and to the world. Producing and providing services from event planning & producing, TV program planning & coordination, artist management & coordination, PR, and various types of entertainment-related business. The activities of our company is recognized & encouraged by Recording Industry Association of Japan (RIAJ), Foundation for Japan Music Culture Export (JMCE), Japan National Tourism Organisation (JNTO), Japan External Trade Organization (JETRO) and Malaysia Tourism.

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(吉隆坡20日讯) – 马来西亚全民引颈期盼、万众瞩目的世界级快闪式博物馆展览-‘添·布顿 (Tim Burton) 的异想世界展’ 隆重登场，它势必让访客和至爱亲朋留下永恒的回忆并吸引来自各阶层的艺术爱好者和影迷前去捧场。是项活动乃由Toybox Projects Sdn. Bhd.所主办及呈献，这家多元娱乐与跨媒体的跨国公司将通过此寓娱乐于旅游的倡议推广马来西亚旅游业，目标是吸引更多国内外访客在2023年前来观光。

自从在2009年首次展出以来，‘添·布顿 (Tim Burton)的异想世界展’便红遍多个国家，包括中国、韩国、日本、香港、德国、墨西哥、比利时、捷克等。今年马来西亚正式被列入展览地点名单，国人可趁机体验此项世界级的盛事。Toybox Projects已积极尽心尽力为是项具世界水准的活动进行筹资、协商、规划及落实，期望马来西亚人能够感受全世界最广受渴求的其中一种娱乐形式。届时，马来西亚将成为率先也是唯一主办‘添·布顿(Tim Burton)的异想世界’巡回展的东南亚国家，而我国也是该项快闪式博物馆展览在亚洲巡回展出的最后一站。

旅游艺术及文化部(MOTAC)副部长YB Khairul Firdaus Akbar Khan说道：“我们感到荣幸能成为唯一主办这项世界级快闪式博物馆展览的唯一国家 快闪式展览的东南亚国家 – 事实证明马来西亚的创意领域是出类拔萃的，我感到乐观的是，这肯定将激励和鼓舞目前和有抱负的电影制作人、艺术家及创意工作者向全世界展示，'马来西亚，亚洲魅力所在'的真谛。”

参观者可把握毕生难逢的良机，深入窥探添·布顿的私人档案，它们代表着这位艺术家从童年到今日为止的创意成品，包括逾500幅素描、油画、照片、速写本、动态影像作品和雕塑装置。这些展品专注于某些重复出现的视觉主题与基调，它们与添布顿的艺术品和影片里的独特角色与世界观互相呼应。

此外，该快闪式博物馆展览将包含10个不同主题的展区，展品共有素描、油画、照片、视频和媒体艺术品，以及添布顿目前正进行的项目之预告短片，并将透过实际尺寸的复制品还原添布顿的私人工作室现场，提供给访客观赏：

展区1: 回到最初( INFLUENCES)

添·布顿(Tim Burton)的多才多艺和创作范围，以及他的前辈们对他的影响，都在此区展出，包括他最初期的创作成品。添·布顿儿时和创业初期的画作，是向经典的漫画家和插画家如Edward Gorey, Charles Addams, Don Martin, 和Theodore Geisel (Dr. Seuss)等致敬。添·布顿在加州艺术学院(CalArts)修读时，他上课写的笔记和素描反映了他接受正规培训时的状况。日本怪兽电影、表现主义电影、环球电影公司的恐怖片目录册、定格动画大师Ray Harryhausen以及惊悚片之王 Vincent Price对他产生的显著影响，都展现在此区的作品中。

展区 2: 节日怀想(HOLIDAYS)

这个主题的取源是来自添·布顿的故乡--加利福尼亚州的伯班克市，他在这个单调乏味的市郊社区长大，只有在节庆来临时才稍微感受到一点生机。这类初期的影响让他得以从枯燥无趣的生活中暂时解脱，并通过诚意欣赏和讽刺挖苦的形式呈现在其作品里，包括他在1997年出版的插画诗集《牡蛎男孩的忧郁之死及其他故事》(The Melancholy Death of Oyster Boy & Other Stories) 以及1993年的定格动画音乐故事片《圣诞夜惊魂》(Tim Burton’s The Nightmare Before Christmas)，这些作品都以怪诞和开怀的手法与万圣节和圣诞节扯上关系。

展区3:讽刺嘉年华( CARNIVALESQUE)

添·布顿的电影作品，从1988年的《阴间大法师》(Beetlejuice)，1989年的《蝙蝠侠》(Batman)，2010年的《爱丽丝梦游仙境》(Alice in Wonderland)到2012年的《黑影家族》(Dark Shadows)乃至其个人素描和油画作品里，都尽显‘讽刺嘉年华’这个主题—混合了喜剧和荒唐怪趣元素。这几部精选作品凸显了添·布顿在貌似南辕北辙的恐怖片和幽默片这两个范畴中取得平衡的功力。舌头打结、眼球从眼眶爆出以及邪恶小丑的画面—往往伴随着木无表情、语带双关式的幽默—都在暗喻这个二分对立的主题。

展区4: 奇幻想象(FIGURATIVE WORKS)

跟添·布顿的专业项目无关的这类素描、油画和雕塑都是他最私人的艺术品。添·布顿要描绘的并非表面上的物质实境，而是他透过扭曲的视角和人物形象去认知的个人感受。此区的展品包括添·布顿对蓝妹与酒(Blue Girl with Wine)和绿精灵(The Green Man)的研究，它们与添·布顿的最终画作并列，强调的是他独具慧眼的审美观。

展区5: 为世不容的传奇(MISUNDERSTOOD OUTCAST)

添·布顿的艺术品和电影里最容易辨认的主题是出于原型的—亦可能是自传式的—“被误解的怪物”。从1982年的定格动画短片《文森特》(Vincent)到2010年的好莱坞卖座片《爱丽丝梦游仙境》(Alice in Wonderland)等项目都曾出现此类惹人怜悯的怪胎。此区展出‘气球男孩’的绘画和概念设计模型—这个22尺高的定点装置是在添·布顿巡回展的开幕仪式期间，由现代艺术博物馆委托制作并展示在其门口的前厅。这副原创作品带有忧郁的面容，它体现了艺术家钟爱的局外人角色之特征。

展区6: 经典电影角色 (FILM CHARACTERS)

至于对添·布顿电影了如指掌的参观者—从他1985年的第一部作品《人生冒险集》(Pee-wee’s Big Adventure (1985)到2019年最新的《小飞象》(Dumbo)都熟悉的—便可在此区观赏到他们熟悉的角色和世界的更深入层面。所展出的油画、短片、手稿、分镜图、布偶和草图等显示了有关电影角色如何从添·布顿脑海里的构想演变成戏院银幕上的画面。

展区 7: 拍立得珍藏(POLAROIDS)

从1992年到1999年间，添·布顿使用了罕见的20 x 24大格式即影即有相机，制作了若干超大张的拍立得摄影作品系列。这些私人照片表达了他的专业影片中所呈现的视觉主题和基调。

展区8: 随想漫游(AROUND THE WORLD)

此去展示的作品强调的是添·布顿创意过程的自发性。他用速写本以及酒店的记事簿或餐厅的纸巾描绘的构图，都是他凭着心血来潮如泉涌般的想象力所记录下来的点点滴滴。身为电影导演，他必需周游列国，行程排得密密麻麻—视察拍摄场地、出席电影节、进行巡回宣传等—这些旅程也提供了灵感及创作素材。我们所看到的如梦幻般的超写实影像，正好反映了添·布顿对于他所接触的人物和地方留下的观感。

展区 9: 未圆的壮志(UNREALIZED PROJECTS)

此区展示了添·布顿在电影、电视与书籍中，在不同的发展阶段就已停止的创作项目，揭露了他的艺术作品量是多么庞大。甚至有些项目连初期发想都还没完成，而此区的其他项目即便已全面落实，其最终成品却没融入添·布顿的任何概念。此区的画作罕有地让参观者窥探他此前未完成的项目，也印证了这位艺术家本身持续贯彻的主题与基调，它们亦是添·布顿艺术展设计风格的灵感泉源。

展区10: 艺术家的工作室(THE ARTIST’S STUDIO)

添·布顿是一位独来独往的艺术家，他持之以恒在自己的工作室里素描、绘画、规划，孜孜不倦埋首创作。参观者第一次有机会通过展览会按原型复制的添·布顿工作室的一部分，体验这位艺术家活灵活现的热忱和醉心匠艺的精神。软木公告板上的素描和绘图展现的是跟他目前进行的计划有关的作品，包括他为首尔的展览会创作的入口处雕塑以及他制作兼执导的新电视剧《星期三》。

‘添·布顿的异想世界展’主办方及呈献单位Toybox Projects Sdn. Bhd.总裁暨首席执行长 Yuri Aizawa小姐透露： “我们向来是以擅长的日本娱乐项目著称。今年适逢公司庆祝成立十周年纪念，而我们的目标之一就是通过扩展马来西亚的娱乐业市场作出贡献，同时与日本建立联系，而如今更扩大到打通全球脉络。我们了解到引进"添·布顿的异想世界展"是最理想的选择，不仅仅因为添·布顿的受欢迎程度、创意和形象化风格，它肯定也将吸引更多游客前来马来西亚，而通过引进这独一无二的世界级快闪式博物馆展览，我们也期望能影响马来西亚的创意工作者积极拓展他们的市场。”

此外，添·布顿本身将在2023年4月14日当天亲自主持一场名为‘Tim Burton’s Masterclass’的独家虚拟签书会，让他的粉丝把握毕生难逢的良机，了解有关他的电影艺术。届时，添·布顿将会分享有关电影艺术的故事，他独特的创作过程，以及他如何成为娱乐圈与电影业家喻户晓的大师。

从明天2023年3月21日起至2023年7月30日为止，公众人士即可感受此毕生难逢的体验，尽情陶醉在电影业其中一位最受尊崇的导演之艺术作品里。有意购票者请浏览 https://kol-nation.com/the-world-of-tim-burton-malaysia/ ，成年人票价为RM88，儿童及乐龄人士票价为RM68，残障人士票价为RM48。此外，粉丝还可选购票价为RM498的季票(无限次入场通行证)，或VIP配套。此配套包括一张季票、一张添·布顿Masterclass虚拟签书会的入场票、The Art of Tim Burton原版书籍以及特别版签名纪念品，只售RM1,500。

‘添·布顿的异想世界展’的主办方和呈献单位是Toybox Projects Sdn. Bhd.，协办者为Tim Burton Productions，合作伙伴则是Eurasian Entertainment Consultants Ltd (EEC) 以及 KOL Nation，而Onecare Wellness™ 则是主要赞助商，其他活动伙伴如下：

场地伙伴 – 武吉加里尔柏威年广场(Pavilion Bukit Jalil)

指定酒店 – 吉隆坡柏威年酒店( Pavilion Hotel Kuala Lumpur, Kuala Lumpur)

指定电台 - 8FM, FlyFM

指定户外媒体 - 3thirds Inc

指定公关公司 - Global Creative Media Agency (GCMA)

欲知有关‘添·布顿的异想世界展’的更多详情，请浏览网站: https://www.toyboxprojects.com/timburton

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About Toybox Projects Sdn. Bhd

Named under the concept to produce the plans & projects with entertaining, creative and unique ideas, Toybox Projects is based in Kuala Lumpur, Malaysia, lead by Malaysian-born Japanese with various projects bridging Japan & Malaysia, and Asia, and to the world. Producing and providing the services from event planning & producing, TV program planning & coordination, artist management & coordination, PR and various types of entertainment related business. The activities of our company is recognised & encouraged by Recording Industry Association of Japan (RIAJ), Foundation for Japan Music Culture Export (JMCE), Japan National Tourism Organisation (JNTO), Japan External Trade Organization (JETRO) and Malaysia Tourism.

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